Wednesday, 9 September 2009
Monday, 7 September 2009
Press - Edinburgh 2009
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/specials/edinburgh/article6811350.ece
http://thescotsman.scotsman.com/festivals-2009/Dance-review-Everything-must-go.5583143.jp
http://edinburghfestival.list.co.uk/article/20311-everything-must-go-or-the-voluntary-attempt-to-overcome-unnecessary-obstacles/http://www.timeout.com/london/theatre/blog/8647/Everything_Must_Go.html
http://www.threeweeks.co.uk/edaily/090814.html
(note - this includes short article written by me, plus review further down the page)
Other press coverage
http://edinburghfestival.list.co.uk/arti
http://edinburghfestival.list.co.uk/arti
http://entertainment.stv.tv/edinburgh-festivals/news/113670-the-show-must-go-on-for-festival-performance-despite-passing-of-lead-actor/
Awards
Total Theatre Award Winner 2009 (Devised performance)
The Arches Brick Award Winner 2009
Other
Mervyn Stutter's Pick of the Fringe 2009
British Council 'plat du jour', as part of the 2009 Edinburgh showcase.
Technical Information
Synopsis
An exploration of a father by a daughter using cinefilm, clowning, dance, puppetyr and hurdling. It is reality bordering on fiction; an athletic-puppetic meditation on love, loss, memory and play. Dad trains for the Olympics by day and drags up to the nines by night. His photos ans Super 8s inhabit the scene and reveal the man. Reality, age and obsession set in. His money-saving schemes become increasingly elaborate, from the secrets of free water to newspaper-stealing shoes. But eventually everything must go.
Technical requirements
These are a general guideline only. Please request a technical specification for your venue.
A performance space minimum 8 metres wide, 6 metres deep.
White dance floor, white cyc or backdrop.
Full sound system, amp, speakers; CD player.
Lights, video and sound need to be operated by one person.
Two or three video projectors (depending on size and proportions of space); cabling to project the same image through all projectors.
We will provide a lap-top which will be the source of the video images.
Lighting specifications will depend on venue size, lay out and technical specifications; please request a lighting plan.
Available for touring from September 2009.
An exploration of a father by a daughter using cinefilm, clowning, dance, puppetyr and hurdling. It is reality bordering on fiction; an athletic-puppetic meditation on love, loss, memory and play. Dad trains for the Olympics by day and drags up to the nines by night. His photos ans Super 8s inhabit the scene and reveal the man. Reality, age and obsession set in. His money-saving schemes become increasingly elaborate, from the secrets of free water to newspaper-stealing shoes. But eventually everything must go.
Technical requirements
These are a general guideline only. Please request a technical specification for your venue.
A performance space minimum 8 metres wide, 6 metres deep.
White dance floor, white cyc or backdrop.
Full sound system, amp, speakers; CD player.
Lights, video and sound need to be operated by one person.
Two or three video projectors (depending on size and proportions of space); cabling to project the same image through all projectors.
We will provide a lap-top which will be the source of the video images.
Lighting specifications will depend on venue size, lay out and technical specifications; please request a lighting plan.
Available for touring from September 2009.
Friday, 4 September 2009
Thursday, 3 September 2009
Tour dates 2009/2010
16 October 2009, the Basement, Brighton
30 October 2009, Halifax Square Chapel
May 2010 (2-3 performances, dates tbc), the Arches, Glasgow
June 2010 (2 performances, dates tbc), the Ustinov at the Theatre Royal, Bath
14-27 June 2010, the Barbican, London (bite)
30 October 2009, Halifax Square Chapel
May 2010 (2-3 performances, dates tbc), the Arches, Glasgow
June 2010 (2 performances, dates tbc), the Ustinov at the Theatre Royal, Bath
14-27 June 2010, the Barbican, London (bite)
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